Working for YourselfLesson 5 of 84

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Working for Yourself

Lesson 5 of 84. Sign in to keep your place.

Module 1 · Whether there is a business here

Your competitor is a template and a nephew

8 min read

What took the last twenty jobs you did not getDoing nothing at all11Somebody internal with asubscription tool4A template, a theme or agenerator3A cheaper professional2jobs out of twenty that went this wayMore than half went to a decision not to buy, which is a different problem from a weak portfolio. Itmeans the conversations are not finding a deadline or a leak, and no amount of polishing the pagefixes that.
More than half went to a decision not to buy, which is a different problem from a weak portfolio. It means the conversations are not finding a deadline or a leak, and no amount of polishing the page fixes that.

Figure

The comparison set is not other professionals

When you lose a job you imagine it went to a better designer with a nicer site. Usually it did not. The four things that actually take work off the table are:

  1. Doing nothing. By a distance the most common outcome. The owner decides the current packaging is fine for another year. Nothing was chosen over you.
  2. Somebody internal. The marketing executive who is reasonably good at Canva. The founder’s nephew who did a course.
  3. A template or a tool. A ₹500 Canva Pro subscription, a Shopify theme, a ₹3,000 logo from a marketplace, a Figma community file, an AI generator.
  4. A cheaper professional, often in a lower-cost location, often competent.

Each of these loses to a different argument, and using the wrong argument is why pitches fail while the work is good.

Against doing nothing

You cannot win on quality, because the comparison is not being made on quality. You win on the cost of the delay, and only if that cost is real and theirs.

Concretely: a listing photo set that converts two per cent better on a store doing 400 orders a month is eight extra orders a month, every month, for as long as nothing changes. A trade fair in eleven weeks is a date, and missing it costs a year. Find the deadline or the leak. Where neither exists, doing nothing is often the right answer, and telling them so is one of the cheapest ways to be remembered when a deadline does appear.

Against the nephew and the internal person

Never compete on craft insults. Attacking work that a colleague or family member made puts your buyer in the position of defending them, and you will lose that.

Two arguments work. The first is time: the marketing executive spends four days a month on graphics badly, and those four days were meant for the thing she was hired to do. The second is the thing they cannot do at all: not “nicer”, but categorically absent. Print-ready CMYK files that the printer will not reject. A system that holds across forty SKUs instead of forty separately-made files. Label panels that meet the regulator’s type-size rules.

Against templates and tools

Be honest here, because pretending templates are bad makes you sound like somebody protecting a rent. For a lot of jobs, a template is the correct purchase. A two-person consultancy that needs a website this week should use a theme.

Where templates actually fail is narrow and nameable, and you should be able to say it in one breath:

  • When it has to be unique for legal reasons. You cannot register a trademark over a mark that ships with a template and is in use by four thousand other businesses.
  • When it has to survive a constraint the template never considered: a shutter at four metres, an embroidery machine, a 58mm thermal printer, a Devanagari headline that breaks the template’s line-height.
  • When the cost of the decisions exceeds the cost of the making. Templates supply execution, not judgement. Which of your forty products goes on the front of the carton is not in the template.
  • When it must extend. The template does the first four items and cannot do the fifth, and somebody spends three weeks fighting it.

Against the cheaper professional

This is the one people handle worst, usually by implying that cheap means bad. It frequently does not.

What actually distinguishes you is rarely craft and usually risk. A cheaper supplier who disappears mid-project, misses the print date, cannot be reached in the client’s working hours, or hands over files the printer bounces has cost the client far more than the difference in fee. So the counter is evidence of reliability rather than assertions of quality: named references, a written schedule with dependencies, a payment structure that gives them recourse, a portfolio piece with the same constraint solved.

And sometimes the honest answer is that you are not the right supplier for this job at this budget, and saying so plainly earns you the next one.

Doing the exercise once, properly

Take the last five jobs you did not get. For each, write which of the four it lost to. Most people find that three or four of the five were doing nothing, which is a completely different business problem from the one they thought they had: it means their conversations are not finding a deadline or a leak, not that their portfolio is weak.

That single tally usually changes where the next month’s effort goes more than any amount of portfolio polishing would.

Every lesson here is open. Your progress is recorded once you pass the Making It Say Something exam.

Check your understanding

A studio keeps losing packaging work and responds by improving its portfolio and lowering its prices. A tally of the last five losses shows four clients simply postponed the project. Why do the two fixes fail to address the problem?

Pick the one you would defend. Your answer stays private.

Next lesson · 9 minFive ways money arrives, and only one of them is a job

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How to cite: Addaly (2026) ‘Your competitor is a template and a nephew’, in Working for Yourself. Edited by M. Mun. Addaly. Available at: https://addaly.com/learn/independent-creative/who-you-are-competing-with (Accessed: 13 October 2026).