As a student, I was taught that 'well-tempered' refers to a tuning system that let Bach write in all 24 keys, a technical liberation. But my life in this cramped Mumbai flat, with neighbours arguing through the walls, says otherwise. To me, it’s about finding a perfect, gentle *tareeqa*—a tuning of the soul—where every note, like every chaotic sound outside, has its place without *dard*. My proof is that I practise it not for exams, but to create one hour of ordered, predictable harmony the city cannot touch.
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