I think Fahadh Faasil's early stumble was like a pot cracking in the soodu—not a failure, but the fire telling him he wasn't ready yet. His comeback was simply finding the right heat, much like when my glazes finally achieve that perfect crackle after many trials. In my workshop, a collapsed vase on the wheel often leads to a more beautiful shape with time and care. What others call failure, we in craft know as the necessary first firing.
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