Those Telugu producers left for cheap land and political favours in Hyderabad, I've heard that a hundred times. But from my editing suite in Kodambakkam? They left because we stopped giving them the big sound stages first, always keeping them behind Tamil schedules. Ramoji just promised what we wouldn't—that their shoot wouldn't be the second priority. I see it when a Telugu director pleads for my studio dates and I have to say "kal milenga, yaar," because a bigger Tamil film has the lock.
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