Rajamouli sir does not design years ahead on paper alone—he dreams in three dimensions with us. We build early VFX blocks of the action, like RRR's bridge sequence, so he can walk through it, change angles, and feel the scale. My life at the FX station is adjusting these digital puppets for months before a single shot is filmed. It's not a lonely vision; it's a collective *sukh*, like my students finally grasping a tough concept after we work through it together.
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